Biography
Born and educated in Heidelberg; university studies at the Akademie der Bildenden Künste (Academy of Fine Arts) in Munich and the Hochschule für Bildende Künste (University of the Arts; class: Fred Thieler) in Berlin; subsequently university studies in art history, philosophy and psychology at the University of Bochum (PhD; thesis on problems central to the
Solo Exhibitions
2017 – “Wie weit reicht das Gesicht?” – Villa V, Viersen, Germany 2014 – “The Creation of New Spaces of Perception – Part 2” – Eva Koethen, Shaanxi Art Museum, Xi'an, China 2013 – “The Creation of New Spaces of Perception” – Eva Koethen, German Consulate New York City, USA (Opening Oct. 08th, 2013) 2011
Group Exhibitions
2017 – "Kairos", Visionary Art Show Italy, Palazzo Vernazza-Castromediano, Lecce, Italy 2016 – "Vanishing Point West – Artists as seismograph", temporary project space Nestor 36, Berlin-Charlottenburg 2014 – "Bridged Space – Image Figurations and Real Sculptures", temporary project space Nestor 36, Berlin-Charlottenburg 2013 – "WESTRAUM – Sculptures, Installations, Monuments", temporary project space Nestor 36, Berlin-Charlottenburg
Catalogues/Video
Catalogue: Eva Koethen “Das Kreisen im Quadrat der Kunst ist keine Quadratur des Kreises”, Material und Figuration – Reflexionen und Ausstellungenmit Beiträgen von Antje Kapust, Johannes V. Knecht, Reinhard Knodt, Mark Minnes, Bertram Schmitz, Marcella Tarozzi, Yanni Zhao und einem Nachwort von Bernhard Waldenfels Publisher: der blaue reiter, Verlag für Philosophie, 2018, 144 pages Link:
Lectures/Publications
2019   – "Point of contact between western concepts of art and East Asian thinking", invited by "Deutsche Gesellschaft für Ästhetik" to the international conference "Contemporary Aesthetics and Studies of Material Culture" at Zhejiang University (Hangzhou), China, 16./17.11.2019 2018   – "Zur Ambivalenz meiner fotografischen Boden-Installationen – Bilder zu Füßen legen oder mit Füßen treten?",
Performance Art
2008   – "Geheimnisvolle Gartenräume" (‘Shamba – Mysterious Garden Dreams’); painting-installation and text – contribution to an interdisciplinary project involving artists and scientists at ArtecLab, University of Bremen, Germany 2007   – "Pieta formatiert" (‘Pietà Formated’) and "Kreuzfigur der Klage" (‘The Lamentation of the Figure on the Cross’); installation (object and text) in a historical
Live in Art
Picture rooms and storage areas create a different type of living space, which is not furnished in the usual way, but rather is atmospherically designed through art. This can be experienced in spacious rooms that maintain proximity to everyday life and yet allow distance to be gained from it. The project represents a different concept
Overview
[S] = Single Exhibition, [G] = Group Exhibition, [P] = Performance Art 2023 „Imaginierte Dinge oder: Blow-Up von Miniaturen“ – Association Culturelle Franco-Japonaise de TENRI, Paris, France [S]Exhibition: October 24th – November 10th 2023, Vernissage: October 24th at 5:30 p.m. „Movements“ – Galerie Olymp in EuropaCity, Berlin [G]Exhibition: June 30th – September 04th 2023 2022
Group Exhibitions
Group Exhibitions 2017 – "Kairos", Visionary Art Show Italy, Palazzo Vernazza-Castromediano, Lecce, Italy 2016 – "Vanishing Point West – Artists as seismograph", temporary project space Nestor 36, Berlin-Charlottenburg 2014 – "Bridged Space – Image Figurations and Real Sculptures", temporary project space Nestor 36, Berlin-Charlottenburg 2013 – "WESTRAUM – Sculptures, Installations, Monuments", temporary project space Nestor
Construction Site
Berlin – Entering the Construction Site The idea of an imaginary inspection of a construction site emerged during my frequent absences from Berlin, at a time when the city was undergoing rapid transformation. I wanted to capture the fascination brought about by constant change and make tangible what unfolded in front of amazed eyes. By