Born and educated in Heidelberg; university studies at the Akademie der Bildenden Künste (Academy of Fine Arts) in Munich and the Hochschule für Bildende Künste (University of the Arts; class: Fred Thieler) in Berlin; subsequently university studies in art history, philosophy and psychology at the University of Bochum (PhD; thesis on problems central to the

2017 – “Wie weit reicht das Gesicht?” – Villa V, Viersen, Germany 2014 – “The Creation of New Spaces of Perception – Part 2” – Eva Koethen, Shaanxi Art Museum, Xi'an, China 2013 – “The Creation of New Spaces of Perception” – Eva Koethen, German Consulate New York City, USA (Opening Oct. 08th, 2013) 2011

2017 – "Kairos", Visionary Art Show Italy, Palazzo Vernazza-Castromediano, Lecce, Italy 2016 – "Vanishing Point West – Artists as seismograph", temporary project space Nestor 36, Berlin-Charlottenburg 2014 – "Bridged Space – Image Figurations and Real Sculptures", temporary project space Nestor 36, Berlin-Charlottenburg 2013 – "WESTRAUM – Sculptures, Installations, Monuments", temporary project space Nestor 36, Berlin-Charlottenburg

2008   – "Geheimnisvolle Gartenräume" (‘Shamba – Mysterious Garden Dreams’); painting-installation and text – contribution to an interdisciplinary project involving artists and scientists at ArtecLab, University of Bremen, Germany 2007   – "Pieta formatiert" (‘Pietà Formated’) and "Kreuzfigur der Klage" (‘The Lamentation of the Figure on the Cross’); installation (object and text) in a historical

Catalogue: Eva Koethen “Das Kreisen im Quadrat der Kunst ist keine Quadratur des Kreises”, Material und Figuration – Reflexionen und Ausstellungenmit Beiträgen von Antje Kapust, Johannes V. Knecht, Reinhard Knodt, Mark Minnes, Bertram Schmitz, Marcella Tarozzi, Yanni Zhao und einem Nachwort von Bernhard Waldenfels Publisher: der blaue reiter, Verlag für Philosophie, 2018, 144 pages Link: